Wiggins Teape Paper Company

£250.00

Original vintage advertising poster issued by Wiggins Teape Works on Paper - Papermakers to the world - featuring a colourful infographic design with images and descriptions of the company's operations including research and development, good distribution, reliable service, energy conservation, advanced technology, biggest UK paper exporter, fine papers, papers for industry and commerce, fast communications, computerised systems and expert marketing, over a small inset introduction of the company on the side below and the title text with details at the bottom: Designed by Trickett and Webb Limited Illustrated by Chris McEwan Printed in England by The Curwen Press Paper Wiggens Teape 160g/m2 Hi-Speed Blade. Founded in the City of London in 1761, Wiggins Teape was a speciality paper manufacturer of high-quality paper products such as watermarked Conqueror and Wembley Bond paper as well as industrial, greaseproof, tracing and carbonless copy paper; in 1970 the company became a subsidiary of BAT Industries group; following mergers the paper making brand now trades as Arjo Wiggins and the merchant business as Antalis. Good condition, minor creasing, minor staining.
Country UK
Year 1982
Artist Trickett and Webb Limited, Chris McEwan
Width (cm) 60
Height (cm) 84
Linen backed? No
Linen Backing Service

We have partnered with Poster Mountain to offer a professional linen backing service to protect and preserve your works of art. Select this option to add linen backing to your poster. Note: We send posters to California for linen backing, and the delivery time is usually 6-8 weeks. Please visit our Poster Restoration page or contact us if you would like any more information before ordering linen backing.

(+ £200.00)

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All antique and vintage posters listed on our website are guaranteed originals as detailed in their photographs and descriptions, and include a certificate of authenticity. 
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Most of the posters found on our website are lithographs. This is a method of printing that involves drawing a reverse image of each colour onto a piece of stone. The poster sheet is then imprinted consecutively with a stone slab for each colour, creating a stunning and rich image.

With the exception of silk printing, I believe that other printing techniques do not deliver the same impact of colour as lithography.
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